When playing together in a band context, by now, I think we would all agree that the sonic range I’m playing in (the octave I’m singing or playing my instrument in) is just as important as the rhythms I’m playing, right? Knowing this importance is one thing, but working it out in rehearsal can be very challenging and time consuming.
If there’s one instrument that runs the highest risk of eating the whole pie (100%) in the sonic plane, it’s the keyboard. The lowest note on the keyboard is an A – two semi-tones lower than the low B on a 5-string bass guitar. If your bassist is playing a 4 string, the piano has a whole 5th below the low E on the bass. No one in the band can possibly play those notes in the low A-E range except the piano player. You might think, “Great! Sonic room for me to play without worrying about anyone else running into me.” Well, let me put it this way, if there’s a bass guitar player in your band, let them live up to their name and actually be the bass player in the band. Keyboardists, let the bassists have their range and take that left hand and bring it up the keyboard. I know, that’s almost two whole octaves chopped off of the low end of the keyboard. There is an exception to almost every rule, but when it comes to the keyboardist’s left hand, I wouldn’t have it playing much lower than the C that is one octave below middle C. When keyboard players get their left hand away from what the bass player is playing, the sound will significantly tidy itself up and the listener will feel more depth to the overall sound.
There is an exception to almost every rule, but when it comes to the keyboardist’s left hand, I wouldn’t have it playing much lower than the C that is one octave below middle C.