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When it Clicks

Jared Taylor —  October 16, 2014 — Leave a comment

96-bpm

My first guitar teacher and I lasted six months before I broke it off. I wasn’t being challenged, and felt I was learning more from guitar magazines than the guy we were paying every week. If you know me, this will make sense–I needed to know I was learning the correct way. I needed assurance that we were starting from the beginning and taking all the right steps. So we did a bit of homework, bought a classical guitar and a footrest, and I started up with one of the best guitar teachers in the region.

I’ll never forget my first and sixth lessons. My sixth lesson was thirty minutes dedicated to proper nail-filing technique. But my first lesson was my first time using a metronome. We used the metronome ALL THE TIME. It was ticking when I came into the lesson, it was ticking when I left, it ticked in the background while my teacher gave me feedback. The constant ticking was enough to drive you mad, but you know how they say there’s a fine line between madness and genius?

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In-ears-brighter

Over the next six months we will be switching all our sites to in-ear monitors. We made the move at our Production Site a number of years ago and we haven’t looked back. The clean looking stage and the clean sound both for the crowd and the band have been fantastic. But the transition is not always easy. In-ears take some getting used to. This is especially true for vocalists who will hear their voice in a whole different way, and often for more experienced musicians who have grown accustomed to performing with stage monitors.

By some miracle of providence, I’ve been involved in transitioning bands from wedge monitors to in-ears four times in my career. As a musician and a tech, I’ve experienced both the stage and the mixer, big venues and small venues, big bands and small bands. And I am a big fan of in-ear monitors. I have some ideas for easing the transition and getting the most out your monitors.

What are we talking about, here?

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