Archives For critical listening

Part 6 of 8 in the series Taking It Apart

Acoustic-closeup

Sonically speaking, acoustic guitars have a bit of a split personality – a Dr. Jekyll and Mr. Hyde. There’s the way it sounds, and then there’s the way it sounds plugged in.

The rich, full bodied tone emanating from a quality guitar often bears no resemblance to the thin, choked sound that flows out of its electronic connection. It’s impractical to mic an acoustic guitar with a drummer ten feet away, so we plug it in! With mixed results. And sometimes, working with an acoustic guitar ends up being more of a salvage operation than a musical experience! Continue Reading…

Part 1 of 8 in the series Taking It Apart

Louise listens

Mixing starts with listening! Good listening technique can improve the way we perceive a mix. Any audio sources can be broken down into the smaller sounds it’s comprised of. When we describe these “building block sounds” we create a language for critical listening, which is a foundational exercise for anybody who mixes audio.

You can think of critical listening as two phases:  Continue Reading…