Over the next six months we will be switching all our sites to in-ear monitors. We made the move at our Production Site a number of years ago and we haven’t looked back. The clean looking stage and the clean sound both for the crowd and the band have been fantastic. But the transition is not always easy. In-ears take some getting used to. This is especially true for vocalists who will hear their voice in a whole different way, and often for more experienced musicians who have grown accustomed to performing with stage monitors.
By some miracle of providence, I’ve been involved in transitioning bands from wedge monitors to in-ears four times in my career. As a musician and a tech, I’ve experienced both the stage and the mixer, big venues and small venues, big bands and small bands. And I am a big fan of in-ear monitors. I have some ideas for easing the transition and getting the most out your monitors.
What are we talking about, here?